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Hope I die before I get old

Posted on Sunday 4 November 2007

I stopped writing last night and turned on the telly and surfed until I found a documentary about The Who.  They have been making documentaries about The Who since there were four of them.  Now there are only two.  One of them died at 32, one at 54.

I was thinking about that while reading this longish piece about Anthony Flew in the New York Times.

Unless you are a professional philosopher or a committed atheist, you probably have not heard of Antony Flew. Eighty-four years old and long retired, Flew lives with his wife in Reading, a medium-size town on the Thames an hour west of London. Over a long career he held appointments at a series of decent regional universities — Aberdeen, Keele, Reading — and earned a strong reputation writing on an unusual range of topics, from Hume to immortality to Darwin. His greatest contribution remains his first, a short paper from 1950 called “Theology and Falsification.” Flew was a precocious 27 when he delivered the paper at a meeting of the Socratic Club, the Oxford salon presided over by C. S. Lewis. Reprinted in dozens of anthologies, “Theology and Falsification” has become a heroic tract for committed atheists.

Flew’s fame is about to spread beyond the atheists and philosophers. HarperOne, an imprint of HarperCollins, has just released “There Is a God: How the World’s Most Notorious Atheist Changed His Mind,” a book attributed to Flew and a co-author, the Christian apologist Roy Abraham Varghese. “There Is a God” is an intellectual’s bildungsroman written in simple language for a mass audience. It’s the first-person account of a preacher’s son who, away at Methodist boarding school, defied his father to become a teenage atheist, later wrote on atheism at Oxford, spent his life fighting for unbelief and then did an about-face in his old age, embracing the truth of a higher power.

Oh, really?  There is more to the story than meets the eye.  Read the whole thing.

I hope I die before I give in to fairy tales as anything other than a literary device for talking about human behavior.


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